Storyteller High Quality
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In addition to her work as a storyteller, Megan has taught at the New Hampshire Storytelling Festival, Chautauqua, and the School of Storytelling, among other institutions. She has also worked as a story consultant for several television productions, and she has been a guest storyteller on PBS, National Public Radio, and the History Channel.
Megan has developed a reputation for being a master of accents and dialects. She feels that it's essential to be able to carry the accents of the different countries that her stories originate from. Megan has traveled extensively and has studied with the best teachers to develop her skills. She has also been part of multiple delegations to the annual Storytelling World Convention in New Zealand and the Norwegian Storytelling School.
Other than storytelling, Megan is a passionate opera singer, a master gardener, and an avid supporter of the New Hampshire Renaissance Festival where she now sings for the German folk tale and opera, The Three Billy Goats Gruff.
Her love of storytelling is her gift to the world. She has given hundreds of performances and hundreds of workshops all over the United States, and she hopes that you'll enjoy learning about her and sharing her gifts with your family and friends.
Born in Asheville, North Carolina, Megan is a graduate of the University of North Carolina at Chapel Hill with a degree in Media and Music. She moved to New England in 1990 where she began to pursue her dream of being a storyteller. Her first position was at the Burlington Free Press, where she was a reporter and editor. In 1993, she founded the New Hampshire Free Folk Festival where she continues to be a board member. As a festival organizer, she has brought artists such as Malcolm Mooney, Doug Brinkley, and Mike Chase to the festival.
By: Megan Neustadt
As a professional storyteller, I’m always looking for ways to expand my practice. When a conversation turned to the subject of “what’s your story?”, I was intrigued by the idea of sharing my roots in storytelling. I began thinking about my unique story—a story I often love to share with audiences—and I realized that I don’t always speak publicly about my work as a storyteller. What I share with audiences is based on a lot of personal experiences, but it is unique to me. When I began to think about my story as a storytelling coach, I realized that it is a story that I never have to share. When it comes to coaching, I get to share some stories that are particularly meaningful to me, but it’s always a story based on my experience, rather than my clients experience.
I’m excited to share my story about my journey as a professional storyteller. When I travel across the country to perform, I’m not just entertaining audiences, I’m teaching stories—telling my story—which are stories that I’ve been told, stories that I’ve lived, stories that I’ve experienced, stories that have resonated with me.
I am also a storyteller. 827ec27edc